{"title":"All","description":null,"products":[{"product_id":"a-life-well-lived-ray-wylie-hubbard-autobiography","title":"A Life...Well, Lived - Ray Wylie Hubbard Autobiography","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003eWIMBERLEY, Texas — As a general rule, Ray Wylie Hubbard doesn’t really cater to nostalgia. Although he’s been credited (or blamed, as he’s prone to put it dryly) for penning one of the defining anthems of the entire 1970s progressive country movement, the Oklahoma-born, Texas-reared living legend has spent the last quarter century in constant pursuit of new artistic vistas and challenges, reinventing and redefining his musical identity every step of the way. Always a generous performer, he’ll still serve up that “obligatory encore” (all together now: “And it’s up against the wall, \u003ci\u003eREDNECK MOTHER!”\u003c\/i\u003e) with characteristic good humor, but he certainly hasn’t earned his laurels as one of the most respected artists in modern Americana — not to mention in the storied pantheon of Texas poet troubadours — by living in the past. \u003cbr\u003e\u003cbr\u003eOver the course of a dozen acclaimed albums going back to his early ’90s comeback, he has distinguished himself time and again as both a songwriter’s songwriter par excellence and as one of the gnarliest, grittiest Texas groovers this side of Lightnin’ Hopkins. Case in point: This year’s \u003ci\u003eThe Ruffian’s Misfortune, \u003c\/i\u003ea record praised by \u003ci\u003eAmerican Songwriter \u003c\/i\u003eas “a lean, mean set that wraps up in just over a half hour but whose raw reverberations last long after.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAll of which just begs the question: Considering he’s still raising the bar and releasing the best music of his life at age 69, what in the world could have possibly provoked Hubbard to lay down his beloved guitar long enough to not just reflect back on his past, but to actually commit it to page for his first memoir, \u003ci\u003eA Life ... Well, Lived\u003c\/i\u003e (out Nov. 2 on\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: #000000; text-decoration: underline;\"\u003e \u003ca href=\"http:\/\/raywylie.com\/\" style=\"color: #000000; text-decoration: underline;\"\u003eBordello Records\u003c\/a\u003e\u003c\/span\u003e, \u003c\/span\u003ethe label Ray Wylie and his wife and manager, Judy Hubbard, launched five years ago)? Chalk it all up to a whim — and the persistent prodding of a good friend, music writer (AllMusic.com) Thom Jurek. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“We were emailing, and I wrote him some story about when Willie Nelson kidnapped me,” says Hubbard, briefly recounting a night somewhere back in his “honky-tonk fog” days when Willie Nelson’s road manager Poodie Locke and drummer Paul English pounded on his Dallas door at 3 a.m. and abducted him for a bus run up to Milwaukee for a beer festival. They didn’t even give Hubbard time to pack a bag; English told him he could “borrow Willie’s toothbrush.” \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhen Jurek wrote back telling him how funny the story was — not to mention “pretty well written” — Hubbard fired off another one, about the time he saw Muddy Waters when he was 19. Next thing Hubbard knew, he was sharing similar stories — some old, some new, some not so much stories as just random (but still funny and\/or insightful) stream-of-conscious musings from the road — on Facebook, much to the delight of his 80,000+ followers. By the time Jurek poked him with a subtle “You know, you oughta write a book ...,” Hubbard was already well on his way.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“It just kind of fell into place,” Hubbard explains, noting that the whole book took him the better part of two years to complete, with Jurek earning a “with” credit on the cover for his invaluable input not just as editor but as a sounding board and cheerleader. “I wrote every word in it, and I don’t think he really changed anything at all,” Hubbard continues, “but I don’t think I would have finished it without his encouragement, which is why I wanted to give him more than just an ‘edited by’ credit.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChief among Jurek’s suggestions early on was the book’s unique formatting, with “regular” chapters — for what Hubbard calls “the real autobiography stuff” — alternating with mini “road stories” vignettes composed in Hubbard’s signature Facebook posting style of free-form stream of consciousness with minimal regard to strict punctuation and no regard whatsoever to capitalization. Some of those mini vignettes play off of the adjoining main chapters like lyrical refrains (much like the accompanying lyrics to several of his songs sprinkled throughout the book); others flash forward decades into the more recent “present” to offer glimpses of Hubbard’s dramatic career resurgence over the last decade, from making his debut on the \u003ci\u003eLate Show With David Letterman \u003c\/i\u003eat age 66 to being invited onstage at the Greek Theater in Los Angeles to sing “Help From My Friends” with “a f***** Beatle” (Ringo Starr, who’s been a Hubbard fan ever since hearing the latter’s 2006 album, \u003ci\u003eSnake Farm\u003c\/i\u003e).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e As entertaining as the road stories are, though, the main narrative proves every bit as colorful, tracing Hubbard’s life’s journey from early childhood in Southern Oklahoma, through adolescence in Dallas, his earliest performances as part of the folk trio Three Faces West in Red River, N.M., and all the way through his white knuckle ride (fueled by more than a little white powder) through the progressive\/outlaw\/Texas country boom of ’70s. That was the golden age of post-Nashville Willie, Jerry Jeff Walker and Michael Martin Murphey, among others, with major-label record deals to go around for everybody. That included Ray Wylie Hubbard and the Cowboy Twinkies, a scrappy band of folk, blues and psychedelia-reared country rockers that could veer from Merle Haggard to Led Zeppelin on a dime. But sessions for Atlantic Records quickly hit the skids and a second shot at the big time with Warner Reprise brought the whole band to tears when the label slathered their debut with female backing vocals. After that, the rest of Hubbard’s trip through the ’70s and ’80s reads like a Texas-themed \u003ci\u003eSpinal Tap,\u003c\/i\u003e culminating in a rock-bottom residency playing happy hour sets between lingerie shows at a sleazy lounge near the airport. Throw in divorce, deep depression over the death of his father, festering doubts about his songwriting and guitar playing chops and an escalating slide into full-bore alcoholism, and you’ve got all the makings of a classic music business cautionary tale. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSpoiler alert: The book doesn’t end that way. Right about the halfway mark, Hubbard wakes up on the morning of his 41st birthday, gives up alcohol and drugs cold turkey and follows the advice of a newly clean, sober, and rejuvenated Stevie Ray Vaughan in a commitment to the long road to recovery. “There ain’t no elevators,” Stevie tells him at the outset, “you got to take the steps.” Along the way, an initially deeply skeptical Hubbard finds God, a soul mate in the aforementioned Judy, and ultimately a new lease on both his career and his artistic self confidence by swallowing his pride, signing up for fingerpicking lessons at age 42 and immediately writing the best song of his life, “The Messenger.” From that point on, he begins making the kind of records he doesn’t feel the need to make excuses for — especially after he adds slide guitar to his repertoire and \u003ci\u003ereally\u003c\/i\u003efinds his groove. Ray and Judy get married, move to a little town called Wimberley nestled deep in the Texas Hill Country south of Austin, and raise a gifted son named Lucas who ends up playing lead guitar in his dad’s band on both \u003ci\u003eJimmy Fallon \u003c\/i\u003eand \u003ci\u003eLetterman \u003c\/i\u003ebefore his 20th birthday. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e It’s quite a life, all right, and a damn fine story to boot, even in summary. But it’s the lively, personable prose and Hubbard’s inimitable voice\u003ci\u003e \u003c\/i\u003ethat really makes \u003ci\u003eA Life ... Well, Lived \u003c\/i\u003eboth sing and howl. As anyone who’s ever had the good fortune of seeing Ray Wylie perform can attest, his impeccable timing and wry, self-deprecating stage banter is worth the price of admission on its own, and that natural comedic flair is brought into even sharper relief on the page. Of course, there’s plenty of that wit weaved right into many of the song lyrics collected here, too, along with profundity and poetic beauty in spades that will read as revelatory to diehard fans of his music as it will to Hubbard neophytes. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnd best of all — at least by Hubbard’s own modest appraisal — it all fits inside a tidy little package that feels, well ... not unlike his \u003ci\u003eRuffian’s Misfortune \u003c\/i\u003ealbum from earlier this year, positively lean and mean. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“I really like the size of it, that it \u003ci\u003eseems\u003c\/i\u003e small,” he says of his tome’s svelte 174 pages (including the terrific afterword penned by Judy). Although Hubbard’s a voracious reader and an avowed Stones fan, he admits he found the sheer heft of Keith Richards’ own \u003ci\u003eLife \u003c\/i\u003ea tad imposing. “But Dylan’s \u003ci\u003eChronicles\u003c\/i\u003e, on the other hand \u003ci\u003e— that’s \u003c\/i\u003ea great size and what I aimed for. I didn’t want to pad it just for the sake of padding it; I wanted to get in there, get to the punchline, and get to the next chapter. So it feels like a real book, but it’s ... you know, \u003ci\u003eportable. \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003ci\u003e\u003cbr\u003e“\u003c\/i\u003eAnd,” he continues, waiting a perfect beat to land his pitch, “there’s pictures in it!”\u003c\/span\u003e\u003c\/div\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":32869365647,"sku":"RWH_ALWL_Book","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/Frontcoveronly.jpg?v=1480447085"},{"product_id":"the-ruffians-misfortune-vinyl","title":"The Ruffian's Misfortune-Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\u003cstrong\u003eCo-produced by Hubbard and bassist George Reiff, The Ruffian’s Misfortune showcases Hubbard’s bluesy slide alongside the twin guitar leads of Gabe Rhodes and Hubbard’s son, Lucas\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACK LISTING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll Loose Things\u003c\/p\u003e\n\u003cp\u003eHey Mama, My Time Ain’t Long\u003c\/p\u003e\n\u003cp\u003eToo Young Ripe, Too Young Rotten\u003c\/p\u003e\n\u003cp\u003eChick Singer, Badass\u003c\/p\u003e\n\u003cp\u003eRockin’\u003c\/p\u003e\n\u003cp\u003eBad on Fords\u003c\/p\u003e\n\u003cp\u003eMr. Musselwhite’s Blues\u003c\/p\u003e\n\u003cp\u003eDown By The River\u003c\/p\u003e\n\u003cp\u003eJessie Mae\u003c\/p\u003e\n\u003cp\u003eBarefoot in Heaven\u003c\/p\u003e\n\u003cp\u003eStone Blind Horses\u003c\/p\u003e\n\u003cp\u003eWIMBERLEY, Texas — When it comes to down ’n’ dirty roots ’n’ roll, nobody in the wide world of Americana music today does it better than Ray Wylie Hubbard. Except, it seems, for Hubbard himself. After riding a decade-long career resurgence into the national spotlight with 2012’s acclaimed The Grifter’s Hymnal and his first ever appearance on the Late Show With David Letterman (“I didn’t want to peak too soon,” quips Hubbard, 68), the iconoclastic Texas songwriter is back to continue his hot streak with The Ruffian’s Misfortune — his 16th album (and third on his own Bordello Records, via Thirty Tigers) — due out April 7, 2015.\u003c\/p\u003e\n\u003cp\u003eFrom his humble beginnings as an Oklahoma folkie in the ’60s to his wild ride through the ’70s progressive country movement, and onward through the honky-tonk fog of the ’80s to his sobriety-empowered comeback as a songwriter’s songwriter in the ’90s, Hubbard was already a bona fide legend by the time he really found his groove right at the turn of the century. That’s when he finally felt confident enough in his guitar playing to dive headlong into his own inimitable take on the blues, a form he’d admired but steered clear of for decades, thinking its mysteries were beyond his grasp as a basic chord strummer.\u003c\/p\u003e\n\u003cp\u003e“I used to go see Lightnin’ Hopkins and Mance Lipscomb and Freddie King, all those cats, but I never could play like them — I guess because I never took the time or effort to try — until I was in my 40s and learned how to finger pick,” says Hubbard. “Once I learned how to finger pick, I started going, ‘Oh, OK, this is how they did all that!’ Then I started learning open tuning, and then slide, and it was just this incredible freedom that gave all these songs a door to come through that wasn’t there before. It was like all of a sudden having this whole other language or a whole other set of tools to add to my arsenal.”\u003c\/p\u003e\n\u003cp\u003eIn lieu of drugs and alcohol, that language became Hubbard’s new addiction — and the title of his 2001 album Eternal and Lowdown somewhat of a self-fulfilling prophecy: 14 years further down the road, he’s still chasing hellhounds deep into the underbelly of the blues, with a Lightnin’ Hopkins gleam in his eyes and a Rolling Stone swagger in his boot steps. The Ruffian’s Misfortune is his latest missive home from this leg of his long journey. Its message? Don’t wait up.\u003c\/p\u003e\n\u003cp\u003ePacking 10 brand new songs into just under 34 minutes, The Ruffian’s Misfortune is the tightest and most focused record of Hubbard’s career; it will also be his first record to be pressed on vinyl in more than 30 years. But its grooves cut just as deep in digital form, every track rumbling like muddy water over a bed of lethal rocks and gnarled roots. The terrain ain’t exactly pretty, but every record Hubbard’s fished, fought, and dragged from those waters — including such fan and critic favorites as 2002’s aptly-titled Growl, 2006’s Snake Farm, and 2010’s A. Enlightenment, B. Endarkenment (Hint: There is no C) — has only strengthened his resolve to follow his gypsy muse closer and closer to that dark river’s source. Hubbard hints that he may someday find his way back to less rocky ground, admitting that he keeps a 12-string on hand “thinking I might go back to more Gordon Lightfoot type stuff … every once in a while the old folkie guy will rear his ugly head” … but The Ruffian’s Misfortune finds him still a long way from that.\u003c\/p\u003e\n\u003cp\u003e“I really liked The Grifter’s Hymnal, and I think The Ruffian’s Misfortune is still kind of a part of that,” he offers, noting that he likes the way both titles would look just as fitting on a dusty old book jacket — or perhaps at the start of a silent movie — as they do on an album cover. But the similarities don’t end there. “This record is pretty much where I am as far as trying to make records that work on a couple of different levels, by laying down a groove with cool guitar tones and vicious nasty licks with lyrics that have a little depth and weight and even a little humor thrown in, too, as life is pretty much like that.”\u003c\/p\u003e\n\u003cp\u003eHubbard describes the process of getting those lyrics down just right — with every line and word weighted and measured with a poet’s discipline — as both “a joy and anguish.” But the actual recording this time around went down remarkably quickly, with most of the tracks nailed down live in two or three takes over the course of five days at the Zone studio in Dripping Springs, Texas, right up the road from the rustic Hill Country cabin Hubbard shares with his wife, manager, and record label president, Judy. Hubbard’s ferociously gifted 21-year-old son, Lucas — who’s been holding his own onstage with the old man since his late teens — shared lead guitar duties on the album with the equally talented Gabe Rhodes, swapping leads the whole way through. “I really wanted to have that Ron Wood\/Keith Richards two-guitar vibe, you know?” explains Ray Wylie, who of course played a fair amount of guitar himself: namely, all of the slide and acoustic stuff. The bedrock is provided by bassist\/co-producer George Reiff and drummer Rick Richards, whose “deep in the pocket,” just-behind-the-beat timing has been Hubbard’s not-so-secret weapon for years on both record and stage. Hubbard raves that Reiff and Richards make for such a potent groove machine that he’s had to share them on more than one occasion with friend (and poacher) Joe Walsh: “He called me up and went, ‘I don’t want to steal your band … but I’m going to steal your Snake Farm band,’” Hubbard recounts with a laugh. “Which of course is a high compliment to George and Rick.”\u003c\/p\u003e\n\u003cp\u003eSonically, The Ruffian’s Misfortune picks up right where The Grifter’s Hymnal left off, with Hubbard and his wrecking crew confidently jumping from jagged, wicked-cool roots rock (“All Loose Things,” “Down by the River”) to trashy, ’60s-style garage stomp (the ferocious “Chick Singer, Badass Rockin’” and riotous “Bad on Fords”), Mississippi and Texas blues (“Mr. Musselwhite’s Blues,” “Jessie Mae”) and even earnest country-gospel name-checking Sister Rosetta Tharpe (“Barefoot in Heaven”). The songs themselves are rife with wayward souls worthy of both words in the album’s title — sinners, luckless gamblers, drunks, thieves, and at least one beautiful, fierce woman (“Too Young Ripe, Too Young Rotten”). Some of these characters own their misfit\/outsider status with a proud and exhilarating air of invincibility (like the aforementioned badass-rockin’ “Chick Singer,” equal parts sloppy cool Chrissie Hynde and sneering Joan Jett), while others are all-too-conscious of their mortality (“Hey Mama, My Time Ain’t Long”) and not overly confident in their prayers for salvation (“Stone Blind Horses”). As narrator and guide, Hubbard doles out more empathy than judgment for the whole motley lot, but his words sting like grit in open wounds just the same. As he puts it rather ominously in the theme-setting opener, “All Loose Things,” “The gods can’t save us from ourselves.”\u003c\/p\u003e\n\u003cp\u003eActually, Hubbard gives that line to a blackbird — the same animal that also observes, tongue-in-beak, “Look at them fools down there, they ain’t got no wings!” It’s an old trick he says he picked up from studying Aesop’s Fables. Of course, Aesop doesn’t get a co-writing credit on that number, nor do Charlie Musselwhite or Jessie Mae Hemphill for directly inspiring “Mr. Musselwhite’s Blues” and “Jessie Mae,” respectively. But Dallas rocker Jonathan Tyler does get one for lending a hand (and a cool guitar lick, although he doesn’t play it himself on the record) in the writing of “Hey Mama, My Time Ain’t Long,” while Marco Gutierrez and Sean “Nino” Cooper of El Paso’s Dirty River Boys collaborated with Hubbard on the cautionary border anthem “Down by the River” and Ronnie Dunn of Brooks \u0026amp; Dunn fame pitched in on “Bad on Fords.” After taking a shine to The Grifter’s Hymnal, Dunn invited Hubbard up to Nashville to write some songs together for a solo project he working on. Hubbard in turn was impressed by the country superstar’s legit Red Dirt roots and rock ’n’ roll attitude, so he figured Dunn might get a kick out of an idea he had about an unrepentant Okie car thief with a fast and furious pick-up line: “I’m bad on Fords and Chevrolets, but I’ll be good to you!” He figured right — though neither of them could have foreseen Red Rocker Sammy Hagar getting his hands on a demo of the song and cutting it first, on 2013’s Sammy Hagar \u0026amp; Friends. (“He does it a lot different than I do,” Hubbard deadpans. “We didn’t do any high kicks when we recorded it.”)\u003c\/p\u003e\n\u003cp\u003eThere’s a bit more to that particular story, which is but one of hundreds, if not thousands, of colorful anecdotes Hubbard could tell about his long and eventful career — some going even further back than the one about how he came to write “Up Against the Wall, Redneck Mother,” which became one of the defining anthems of the entire progressive country era after Jerry Jeff Walker recorded it on his classic 1973 album ¡Viva Terlingua! He’s certainly got more than enough of them — and years of insight to match — to fill a book, which is something he finally got around to tackling after persistent prodding (and a bit of editing help) from friend and music writer Thom Jurek. After spending the better part of the last two years sifting through his memories and hashing them out on the page, Hubbard’s autobiography is off to the printer and due out this spring or summer right alongside The Ruffian’s Misfortune. It’s exceedingly Hubbard-ly title? A Life … Well, Lived.\u003c\/p\u003e\n\u003cp\u003eHis book may be finished, but Hubbard’s not done, well, living that life. And as long as he keeps his gratitude higher than his expectations (to borrow a line from The Grifter’s Hymnal’s “Mother Blues,” pointedly delivered by Hubbard himself and not some wiseacre Aesop’s crow), his fortune going forward should be pretty good.\u003c\/p\u003e\n\u003cp\u003e“As I look back, I’ve had some amazing cool things happen, but I still feel like I’m moving forward,” he says. “I still enjoy it, and I think there’s still plateaus to reach. I don’t know what they’re going to be, because I haven’t really sat around thinking about it; when I wrote ‘Mother Blues’ for the last record, I wasn’t thinking, ‘I’ll put this album out and try to get on Letterman’ — he just heard the song on Sirius Radio and called up and asked for us. So who knows what will happen with this record? All I know is I feel very fortunate right now in that I’m playing gigs that are really fun to do. And as long as I can keep writing and performing new songs, I think I could keep doing this for awhile. I saw some show once where Pinetop Perkins was playing at 90 years old, and Judy said, ‘You’ve got another 20 years in you!’”\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":32869396879,"sku":"RWH_Ruffian_Vinyl","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/CDCoverRWH_TheRuffiansMisfortune.1.jpg?v=1480447164"},{"product_id":"the-ruffians-misfortune-cd","title":"The Ruffian's Misfortune-CD","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\u003cstrong\u003eCo-produced by Hubbard and bassist George Reiff, The Ruffian’s Misfortune showcases Hubbard’s bluesy slide alongside the twin guitar leads of Gabe Rhodes and Hubbard’s son, Lucas\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING\u003c\/p\u003e\n\u003cp\u003eAll Loose Things\u003c\/p\u003e\n\u003cp\u003eHey Mama, My Time Ain’t Long\u003c\/p\u003e\n\u003cp\u003eToo Young Ripe, Too Young Rotten\u003c\/p\u003e\n\u003cp\u003eChick Singer, Badass\u003c\/p\u003e\n\u003cp\u003eRockin’\u003c\/p\u003e\n\u003cp\u003eBad on Fords\u003c\/p\u003e\n\u003cp\u003eMr. Musselwhite’s Blues\u003c\/p\u003e\n\u003cp\u003eDown By The River\u003c\/p\u003e\n\u003cp\u003eJessie Mae\u003c\/p\u003e\n\u003cp\u003eBarefoot in Heaven\u003c\/p\u003e\n\u003cp\u003eStone Blind Horses\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWIMBERLEY, Texas — When it comes to down ’n’ dirty roots ’n’ roll, nobody in the wide world of Americana music today does it better than Ray Wylie Hubbard. Except, it seems, for Hubbard himself. After riding a decade-long career resurgence into the national spotlight with 2012’s acclaimed The Grifter’s Hymnal and his first ever appearance on the Late Show With David Letterman (“I didn’t want to peak too soon,” quips Hubbard, 68), the iconoclastic Texas songwriter is back to continue his hot streak with The Ruffian’s Misfortune — his 16th album (and third on his own Bordello Records, via Thirty Tigers) — due out April 7, 2015.\u003c\/p\u003e\n\u003cp\u003eFrom his humble beginnings as an Oklahoma folkie in the ’60s to his wild ride through the ’70s progressive country movement, and onward through the honky-tonk fog of the ’80s to his sobriety-empowered comeback as a songwriter’s songwriter in the ’90s, Hubbard was already a bona fide legend by the time he really found his groove right at the turn of the century. That’s when he finally felt confident enough in his guitar playing to dive headlong into his own inimitable take on the blues, a form he’d admired but steered clear of for decades, thinking its mysteries were beyond his grasp as a basic chord strummer.\u003c\/p\u003e\n\u003cp\u003e“I used to go see Lightnin’ Hopkins and Mance Lipscomb and Freddie King, all those cats, but I never could play like them — I guess because I never took the time or effort to try — until I was in my 40s and learned how to finger pick,” says Hubbard. “Once I learned how to finger pick, I started going, ‘Oh, OK, this is how they did all that!’ Then I started learning open tuning, and then slide, and it was just this incredible freedom that gave all these songs a door to come through that wasn’t there before. It was like all of a sudden having this whole other language or a whole other set of tools to add to my arsenal.”\u003c\/p\u003e\n\u003cp\u003eIn lieu of drugs and alcohol, that language became Hubbard’s new addiction — and the title of his 2001 album Eternal and Lowdown somewhat of a self-fulfilling prophecy: 14 years further down the road, he’s still chasing hellhounds deep into the underbelly of the blues, with a Lightnin’ Hopkins gleam in his eyes and a Rolling Stone swagger in his boot steps. The Ruffian’s Misfortune is his latest missive home from this leg of his long journey. Its message? Don’t wait up.\u003c\/p\u003e\n\u003cp\u003ePacking 10 brand new songs into just under 34 minutes, The Ruffian’s Misfortune is the tightest and most focused record of Hubbard’s career; it will also be his first record to be pressed on vinyl in more than 30 years. But its grooves cut just as deep in digital form, every track rumbling like muddy water over a bed of lethal rocks and gnarled roots. The terrain ain’t exactly pretty, but every record Hubbard’s fished, fought, and dragged from those waters — including such fan and critic favorites as 2002’s aptly-titled Growl, 2006’s Snake Farm, and 2010’s A. Enlightenment, B. Endarkenment (Hint: There is no C) — has only strengthened his resolve to follow his gypsy muse closer and closer to that dark river’s source. Hubbard hints that he may someday find his way back to less rocky ground, admitting that he keeps a 12-string on hand “thinking I might go back to more Gordon Lightfoot type stuff … every once in a while the old folkie guy will rear his ugly head” … but The Ruffian’s Misfortune finds him still a long way from that.\u003c\/p\u003e\n\u003cp\u003e“I really liked The Grifter’s Hymnal, and I think The Ruffian’s Misfortune is still kind of a part of that,” he offers, noting that he likes the way both titles would look just as fitting on a dusty old book jacket — or perhaps at the start of a silent movie — as they do on an album cover. But the similarities don’t end there. “This record is pretty much where I am as far as trying to make records that work on a couple of different levels, by laying down a groove with cool guitar tones and vicious nasty licks with lyrics that have a little depth and weight and even a little humor thrown in, too, as life is pretty much like that.”\u003c\/p\u003e\n\u003cp\u003eHubbard describes the process of getting those lyrics down just right — with every line and word weighted and measured with a poet’s discipline — as both “a joy and anguish.” But the actual recording this time around went down remarkably quickly, with most of the tracks nailed down live in two or three takes over the course of five days at the Zone studio in Dripping Springs, Texas, right up the road from the rustic Hill Country cabin Hubbard shares with his wife, manager, and record label president, Judy. Hubbard’s ferociously gifted 21-year-old son, Lucas — who’s been holding his own onstage with the old man since his late teens — shared lead guitar duties on the album with the equally talented Gabe Rhodes, swapping leads the whole way through. “I really wanted to have that Ron Wood\/Keith Richards two-guitar vibe, you know?” explains Ray Wylie, who of course played a fair amount of guitar himself: namely, all of the slide and acoustic stuff. The bedrock is provided by bassist\/co-producer George Reiff and drummer Rick Richards, whose “deep in the pocket,” just-behind-the-beat timing has been Hubbard’s not-so-secret weapon for years on both record and stage. Hubbard raves that Reiff and Richards make for such a potent groove machine that he’s had to share them on more than one occasion with friend (and poacher) Joe Walsh: “He called me up and went, ‘I don’t want to steal your band … but I’m going to steal your Snake Farm band,’” Hubbard recounts with a laugh. “Which of course is a high compliment to George and Rick.”\u003c\/p\u003e\n\u003cp\u003eSonically, The Ruffian’s Misfortune picks up right where The Grifter’s Hymnal left off, with Hubbard and his wrecking crew confidently jumping from jagged, wicked-cool roots rock (“All Loose Things,” “Down by the River”) to trashy, ’60s-style garage stomp (the ferocious “Chick Singer, Badass Rockin’” and riotous “Bad on Fords”), Mississippi and Texas blues (“Mr. Musselwhite’s Blues,” “Jessie Mae”) and even earnest country-gospel name-checking Sister Rosetta Tharpe (“Barefoot in Heaven”). The songs themselves are rife with wayward souls worthy of both words in the album’s title — sinners, luckless gamblers, drunks, thieves, and at least one beautiful, fierce woman (“Too Young Ripe, Too Young Rotten”). Some of these characters own their misfit\/outsider status with a proud and exhilarating air of invincibility (like the aforementioned badass-rockin’ “Chick Singer,” equal parts sloppy cool Chrissie Hynde and sneering Joan Jett), while others are all-too-conscious of their mortality (“Hey Mama, My Time Ain’t Long”) and not overly confident in their prayers for salvation (“Stone Blind Horses”). As narrator and guide, Hubbard doles out more empathy than judgment for the whole motley lot, but his words sting like grit in open wounds just the same. As he puts it rather ominously in the theme-setting opener, “All Loose Things,” “The gods can’t save us from ourselves.”\u003c\/p\u003e\n\u003cp\u003eActually, Hubbard gives that line to a blackbird — the same animal that also observes, tongue-in-beak, “Look at them fools down there, they ain’t got no wings!” It’s an old trick he says he picked up from studying Aesop’s Fables. Of course, Aesop doesn’t get a co-writing credit on that number, nor do Charlie Musselwhite or Jessie Mae Hemphill for directly inspiring “Mr. Musselwhite’s Blues” and “Jessie Mae,” respectively. But Dallas rocker Jonathan Tyler does get one for lending a hand (and a cool guitar lick, although he doesn’t play it himself on the record) in the writing of “Hey Mama, My Time Ain’t Long,” while Marco Gutierrez and Sean “Nino” Cooper of El Paso’s Dirty River Boys collaborated with Hubbard on the cautionary border anthem “Down by the River” and Ronnie Dunn of Brooks \u0026amp; Dunn fame pitched in on “Bad on Fords.” After taking a shine to The Grifter’s Hymnal, Dunn invited Hubbard up to Nashville to write some songs together for a solo project he working on. Hubbard in turn was impressed by the country superstar’s legit Red Dirt roots and rock ’n’ roll attitude, so he figured Dunn might get a kick out of an idea he had about an unrepentant Okie car thief with a fast and furious pick-up line: “I’m bad on Fords and Chevrolets, but I’ll be good to you!” He figured right — though neither of them could have foreseen Red Rocker Sammy Hagar getting his hands on a demo of the song and cutting it first, on 2013’s Sammy Hagar \u0026amp; Friends. (“He does it a lot different than I do,” Hubbard deadpans. “We didn’t do any high kicks when we recorded it.”)\u003c\/p\u003e\n\u003cp\u003eThere’s a bit more to that particular story, which is but one of hundreds, if not thousands, of colorful anecdotes Hubbard could tell about his long and eventful career — some going even further back than the one about how he came to write “Up Against the Wall, Redneck Mother,” which became one of the defining anthems of the entire progressive country era after Jerry Jeff Walker recorded it on his classic 1973 album ¡Viva Terlingua! He’s certainly got more than enough of them — and years of insight to match — to fill a book, which is something he finally got around to tackling after persistent prodding (and a bit of editing help) from friend and music writer Thom Jurek. After spending the better part of the last two years sifting through his memories and hashing them out on the page, Hubbard’s autobiography is off to the printer and due out this spring or summer right alongside The Ruffian’s Misfortune. It’s exceedingly Hubbard-ly title? A Life … Well, Lived.\u003c\/p\u003e\n\u003cp\u003eHis book may be finished, but Hubbard’s not done, well, living that life. And as long as he keeps his gratitude higher than his expectations (to borrow a line from The Grifter’s Hymnal’s “Mother Blues,” pointedly delivered by Hubbard himself and not some wiseacre Aesop’s crow), his fortune going forward should be pretty good.\u003c\/p\u003e\n\u003cp\u003e“As I look back, I’ve had some amazing cool things happen, but I still feel like I’m moving forward,” he says. “I still enjoy it, and I think there’s still plateaus to reach. 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Black Wings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRWH: vocal, acoustic guitar, harmonica\u003cbr\u003eBilly Cassis: electric guitar\u003cbr\u003eRick Richards: drums, percussion\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e9. Loose \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRWH: vocal, acoustic guitar\u003cbr\u003eGeorge Reiff: bass\u003cbr\u003eRick Richards: drums\u003cbr\u003eDavid Abeyta: electric guitar\u003cbr\u003eBukka Allen: organ\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e10. Every Day is the Day of the Dead \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRWH: electric slide, vocal\u003cbr\u003eRick Richards; drums, percussion\u003cbr\u003eBilly Cassis: electric guitar, vocal in Spanish\u003cbr\u003eGeorge Reiff: bass\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e11. 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In Times of Cold (With Special Guest Patty Griffin)\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":47619986127,"sku":"RWH_TellDevil_CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/DigitalCover.jpg?v=1499803608"},{"product_id":"mens-cosmic-ray-charcoal-gray-t-shirt","title":"Men's Cosmic Ray Charcoal Gray T-shirt","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e100% preshrunk cotton\u003c\/div\u003e\n\u003cdiv\u003eSet-in sleeves\u003c\/div\u003e\n\u003cdiv\u003eShoulder-to-shoulder taping\u003c\/div\u003e\n\u003cdiv\u003eDouble-needle stitching on sleeve and bottom hem\u003c\/div\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":5614105133084,"sku":"RWH_Cosmic_CharcoalTee_S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":5614105165852,"sku":"RWH_Cosmic_CharcoalTee_M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":5614105198620,"sku":"RWH_Cosmic_CharcoalTee_L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":5614118993948,"sku":"RWH_Cosmic_CharcoalTee_XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2X-Large","offer_id":5614105231388,"sku":"RWH_Cosmic_CharcoalTee_2XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"3X-Large","offer_id":5614205861916,"sku":"RWH_Cosmic_CharcoalTee_3XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/IMG_1086_1.jpg?v=1764881744"},{"product_id":"gratitude-olive-unisex-t-shirt","title":"Gratitude Olive UNISEX T-Shirt","description":"\u003cp\u003e100% cotton Unisex , Canvas Unisex Made in the USA 4.2 oz.\u003c\/p\u003e\n\u003cp\u003eJersey T-Shirt\u003c\/p\u003e\n\u003cp\u003eImage wearing a medium.\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":31766715400288,"sku":"RWH_Gratitude_Tee_S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":31766715433056,"sku":"RWH_Gratitude_Tee_M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":31766715465824,"sku":"RWH_Gratitude_Tee_L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":31766715498592,"sku":"RWH_Gratitude_Tee_XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":31766715531360,"sku":"RWH_Gratitude_Tee_2XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"3XL","offer_id":31766715564128,"sku":"RWH_Gratitude_Tee_3XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/Photo_Jan_27_2_38_39_PM.jpg?v=1580159088"},{"product_id":"screw-you-were-from-texas-limited-edition-custom-epiphone-guitar-signed-by-ray-wylie-hubbard","title":"\"Screw You We're From Texas\" Limited Edition Custom Epiphone Guitar signed by Ray Wylie Hubbard","description":"\u003cp\u003eThe DR-100 has long been Epiphone's best selling acoustic guitar. 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The dreadnought sound is commanding when required, but its balanced sound means that at any volume, you can be heard and hear yourself well, too.\u003c\/p\u003e\n\u003cp\u003eFREE SHIPPING!\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":34823383416994,"sku":"RWH_SY_Signed_Guitar","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/TXguitar.jpg?v=1593015728"},{"product_id":"original-and-personalized-art-by-ray-wylie-hubbard","title":"Original and Personalized Art by Ray Wylie Hubbard","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersonalized original Artwork. Ray will draw his signature cartoon of him and the snake and put the lyrics of your choice. He will sign it and put a personalized message such as Birthday or Christmas wishes to your special someone if requested. Each art print will be 11x15 on archival 140 lb. art paper and mailed in a protected sleeve. These make great gifts!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease add the lyrics of your choice in the NOTES section of the order, i\u003cmeta charset=\"utf-8\"\u003ef you would like a personalized message added to your artwork please include it in that section as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease allow 5-7 business days for processing and creation.  \u003c\/span\u003e\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":37522126438580,"sku":"RWH_ORIG_ARTPRINT","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/Artmockup_2_bfe041c5-3200-4d57-970a-0d69e4c93c4b_1_1.png?v=1765013264"},{"product_id":"holographic-cosmic-ray-sticker","title":"Holographic Cosmic Ray sticker","description":"\u003cp\u003eFree Shipping!\u003c\/p\u003e\n\u003cp\u003eShiny holographic Cosmic Ray Sticker\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":38061260996788,"sku":"RWH_Cosmic_Sticker","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/Holographic_Cosmic_Ray_sticker_1_1.jpg?v=1765012658"},{"product_id":"cd-bundle","title":"CD Bundle","description":"\u003cp\u003e\u003cstrong\u003eTell the Devil I'm Getting There as Fast as I Can\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ruffian's Misfortune\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Grifter's Hymnal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":39521420869812,"sku":"RWH_CD_Bundle","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/products\/bundle.jpg?v=1618331193"},{"product_id":"co-starring-too-cd","title":"Co-Starring Too CD (2022)","description":"\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRogue. Poet. Rocker. Texas Texture. Ray Wylie Hubbard made such a mark with Co-Starring, his first major label outing with an all-star line-up of his vast network of friends, the always shape-shifting songwriter decided once was not enough. So the louche beacon of cool went even wider and deeper into his coterie of confidantes, emerging with Co-Starring Too. The second set features a surprisingly eclectic and Texas centric collection -- Willie Nelson, The Bluebonnets, Band of Heathens, The Last Bandoleros and Steve Earle plus a Red Dirt collab with Wade Bowen, Randy Rogers and Cross Canadian Ragweed's Cody Canada. The next wave of Lone Star songwriting icons Hayes Carll, James McMurtry, Dalton Domino appear next to tracks from creative torque Wynonna, Jaimee Harris, Charlie Sexton and Gurf Morlix. The far-reaching Rock \u0026amp; Roll\/Country Music\/Musicians\/Texas Music Hall of Fame team of Ringo Starr, Lucas Hubbard, Steve Lukather (Toto), Eliza Gilkyson and Ann Wilson (Heart) assemble alongside Metal slayers Lzzy Hale and John 5 with an amplified Blues-fusion from Kevin Russell and the Shiny Soul Sisters. Always eviscerating songwriting, Co-Starring Too is a post-Outlaw Country take on what it means to be a man holding his own, a rake unafraid of a good time and a romantic wildly committed to the ideals of the heart. Unabashed and unafraid to work from the fringes, bringing the rest of us along for the ride, there is only one Ray Wylie Hubbard.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e TRACKLIST\u003c\/p\u003e\n\u003col style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cli\u003eStone Blind Horses (ft. Willie Nelson)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eGroove (ft. Kevin Russell and the Shiny Soul Sisters)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eOnly a Fool (ft. The Bluebonnets)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eHellbent for Leather (ft. Steve Earle)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eNaturally Wild (ft. Lzzy Hale and John 5)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eFancy Boys (ft. Hayes Carll, James McMurtry, Dalton Domino)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eTexas Wild Side (ft. The Last Bandoleros)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eTill My Wheels Fall Off (ft. Wade Bowen, Randy Rogers, Cody Canada)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003ePretty Reckless (ft. Wynonna Judd, Jaimee Harris, Charlie Sexton, and Gurf Morlix)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eRide or Die (ft. Ringo Starr, Lucas Hubbard, Steve Lukather, Eliza Gilkyson, Ann Wilson)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eDesperate Man (ft. Band of Heathens)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFor the vinyl, \u003ca title=\"Co-starring Too vinyl preorder\" href=\"https:\/\/store.raywylie.com\/products\/co-starring-too-vinyl-presale\"\u003eclick here!\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eRelease date is \u003cmeta charset=\"utf-8\"\u003eMarch 18, 2022.\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":41173547090100,"sku":"RWH_CSToo2022_CD","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/RWH_0200_ART_ALBUM_CoStarringToo_Cover_2021.11.23_FNLcopy_1_1.jpg?v=1765012090"},{"product_id":"co-starring-too-vinyl","title":"Co-Starring Too Vinyl","description":"\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRogue. Poet. Rocker. Texas Texture. Ray Wylie Hubbard made such a mark with Co-Starring, his first major label outing with an all-star line-up of his vast network of friends, the always shape-shifting songwriter decided once was not enough. So the louche beacon of cool went even wider and deeper into his coterie of confidantes, emerging with Co-Starring Too. The second set features a surprisingly eclectic and Texas centric collection -- Willie Nelson, The Bluebonnets, Band of Heathens, The Last Bandoleros and Steve Earle plus a Red Dirt collab with Wade Bowen, Randy Rogers and Cross Canadian Ragweed's Cody Canada. The next wave of Lone Star songwriting icons Hayes Carll, James McMurtry, Dalton Domino appear next to tracks from creative torque Wynonna, Jaimee Harris, Charlie Sexton and Gurf Morlix. The far-reaching Rock \u0026amp; Roll\/Country Music\/Musicians\/Texas Music Hall of Fame team of Ringo Starr, Lucas Hubbard, Steve Lukather (Toto), Eliza Gilkyson and Ann Wilson (Heart) assemble alongside Metal slayers Lzzy Hale and John 5 with an amplified Blues-fusion from Kevin Russell and the Shiny Soul Sisters. Always eviscerating songwriting, Co-Starring Too is a post-Outlaw Country take on what it means to be a man holding his own, a rake unafraid of a good time and a romantic wildly committed to the ideals of the heart. Unabashed and unafraid to work from the fringes, bringing the rest of us along for the ride, there is only one Ray Wylie Hubbard.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e TRACKLIST\u003c\/p\u003e\n\u003col style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cli\u003eStone Blind Horses (ft. Willie Nelson)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eGroove (ft. Kevin Russell and the Shiny Soul Sisters)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eOnly a Fool (ft. The Bluebonnets)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eHellbent for Leather (ft. Steve Earle)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eNaturally Wild (ft. Lzzy Hale and John 5)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eFancy Boys (ft. Hayes Carll, James McMurtry, Dalton Domino)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eTexas Wild Side (ft. The Last Bandoleros)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eTill My Wheels Fall Off (ft. Wade Bowen, Randy Rogers, Cody Canada)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003ePretty Reckless (ft. Wynonna Judd, Jaimee Harris, Charlie Sexton, and Gurf Morlix)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eRide or Die (ft. Ringo Starr, Lucas Hubbard, Steve Lukather, Eliza Gilkyson, Ann Wilson)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003eDesperate Man (ft. Band of Heathens)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFor the CD, \u003ca title=\"Co-starring too CD preorder\" href=\"https:\/\/store.raywylie.com\/products\/co-starring-too-cd-presale\"\u003eclick here!\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eRelease date is \u003cmeta charset=\"utf-8\"\u003eMarch 18, 2022.\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Default Title","offer_id":41173565767860,"sku":"RWH_CSToo2022_Vinyl","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/RWH_0200_ART_ALBUM_CoStarringToo_Cover_2021.11.23_FNLcopy_52a1b07c-48a5-4d74-b8f7-e7e6c45ff9a9_1.jpg?v=1765011692"},{"product_id":"new-ladies-v-neck-gratitude-t-shirt-100-cotton","title":"NEW! Ladies V Neck Gratitude T-Shirt - 100% Cotton","description":"\u003cp\u003eLightweight, Comfortable and 100% Cotton, this T shirt fits comfortably and is running true to size  -  Turquoise with White lettering.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMother Hubbard usually wears size 10 and has on a Medium in the photo. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eQuote: \"The Days I keep my gratitude higher than my expectations, I have really good days. Ray Wylie Hubbard \"  \u003c\/p\u003e\n\u003cdiv class=\"default-style\"\u003eOfficial Merchandise created by - Ray Wylie Hubbard \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":45421353009459,"sku":"RWH_Ladies_Gratitude_V_S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":45421353042227,"sku":"RWH_Ladies_Gratitude_V_M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":45421353074995,"sku":"RWH_Ladies_Gratitude_V_L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"X Large","offer_id":45421353107763,"sku":"RWH_Ladies_Gratitude_V_XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":45421353140531,"sku":"RWH_Ladies_Gratitude_V_2XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/IMG_4865.jpg?v=1686857627"},{"product_id":"new-v-neck-ladies-snake-farm-shirt","title":"NEW! V-Neck-Ladies-Snake Farm Shirt!","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eBella + Canvas Ladies' Relaxed Jersey Short-Sleeve V-Neck T-Shirt\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLightweight, Comfortable and 100% Cotton, this T shirt fits comfortably and is running true to size  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack with Snake Farm Logo and Ray Wylie Hubbard above the logo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial Ray Wylie Hubbard Merchandise\u003c\/span\u003e\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":46201313100083,"sku":"RWH_Ladies_SnakeFarm_V_S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":46201314246963,"sku":"RWH_Ladies_SnakeFarm_V_M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":46201314279731,"sku":"RWH_Ladies_SnakeFarm_V_L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":46201314312499,"sku":"RWH_Ladies_SnakeFarm_V_XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":46201314345267,"sku":"RWH_Ladies_SnakeFarm_V_2XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/snakefarmladies.png?v=1691704570"},{"product_id":"new-ladies-v-neck-cosmic-ray-t-shirt","title":"New! Ladies V-Neck Cosmic Ray T-shirt!","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBella + Canvas Ladies' Relaxed Jersey Short-Sleeve V-Neck T-Shirt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a soft 100% cotton shirt in a beautiful medium grey that fits true to size. Very flattering on!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial Ray Wylie Hubbard Merchandise\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":46202175750451,"sku":"RWH_Ladies_Cosmic_V_S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":46202175783219,"sku":"RWH_Ladies_Cosmic_V_M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":46202175848755,"sku":"RWH_Ladies_Cosmic_V_L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":46202175881523,"sku":"RWH_Ladies_Cosmic_V_XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":46202175947059,"sku":"RWH_Ladies_Cosmic_V_2XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/ladiesvneckcosmic.jpg?v=1691705627"},{"product_id":"new-ray-wylie-snake-logo-crew-neck-t-shirt","title":"NEW!! Ray Wylie Snake Logo Crew Neck T-Shirt","description":"\u003cp\u003e\u003cspan\u003eThis new Ray Wylie logo design is on a soft 4.3 ounce \u003c\/span\u003e\u003cspan\u003e60% combed ring spun cotton\/40% polyester jersey. Nice light weight and fits true to size in a men's\/unisex t-shirt.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Small","offer_id":48989510304051,"sku":"RWH-snake_logo_blk_shirt_small","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":48989510336819,"sku":"RWH-snake_logo_blk_shirt_medium","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":48989510369587,"sku":"RWH-snake_logo_blk_shirt_large","price":30.0,"currency_code":"USD","in_stock":true},{"title":"XLarge","offer_id":48989510402355,"sku":"RWH-snake_logo_blk_shirt_xlarge","price":30.0,"currency_code":"USD","in_stock":true},{"title":"XXLarge","offer_id":48989510435123,"sku":"RWH-snake_logo_blk_shirt_xxlarge","price":30.0,"currency_code":"USD","in_stock":true},{"title":"XXXLarge","offer_id":48989510467891,"sku":"RWH-snake_logo_blk_shirt_xxxlarge","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/RWHLogoShirt.jpg?v=1720643460"},{"product_id":"reel-2-reel-4-real","title":"Reel 2 Reel 4 Real (Preorder)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRay\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eWylie\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eHubbard\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eis\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003estill\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003emak\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003eing\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003estab-you-in-the-back-\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003ealley-with-a-shiv\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003erock\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u0026amp; roll at nearly 80 years old. His latest album,\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003eReel 2 Reel 4 Real\u003c\/i\u003e\u003cspan\u003e, is meant to be played loud. Real loud. It’s not just lean and mean but snarly and downright punchy; primer grey Texas garage rock in the proud tradition of the 13th Floor Elevators, Mouse and the Traps, and the True Believers. Over the course of his long career Hubbard has written boatloads of richly poetic,\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003ehold-their-own-in-any-\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003eserious-songwriter-circle\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003estun\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003eners\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003elike\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e“The\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eMessenger,”“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003eBallad\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eof the Crimson Kings,” “Dust of the Chase,” and “Stone Blind Horses.” But\u003c\/span\u003e\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e \u003c\/span\u003e\u003ci\u003ethese\u003cspan class=\"m_9119970288546081879apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003esongs are all unabashedly for the “Wanna Rock and Roll” set.\u003c\/span\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cb\u003e\u003cspan\u003eReel 2 Reel 4 Real track list\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eCassette Mix Tape\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eEl Diablo Esta Ganando\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eA Murder of Crows”\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eLook What the Cat Drug In\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eDog or Wolf\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eTip Your Hat to the Black Crow\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eGods Playing Poker\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eCobwebs\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eShe Plays ‘Crazy Mama\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_9119970288546081879p1\"\u003e\u003cspan\u003eThe Night\u003c\/span\u003e\u003c\/p\u003e","brand":"Ray Wylie Hubbard Store","offers":[{"title":"Orange Vinyl (Limited Edition)","offer_id":53403228143923,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":53403228176691,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":53403228209459,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1623\/4559\/files\/RWH_Reel_A-FINAL-FRONT.jpg?v=1779383374"},{"product_id":"new-snake-farm-cap","title":"NEW!!! 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